Click for more info on Jocelyn Brown’s upcoming gig on Friday 7th of June http://underthebridge.co.uk/events/jocelyn-brown/

To meet the public’s demand, we’ve announced two special nights: Sunday 28th and Monday 29th of July.

Don’t miss one of the most prominent and influential figures in late 20th century blues and roots music.

Composer, multi-instrumentalist and vocalist Taj Mahal is one of the most prominent and influential figures in late 20th century blues and roots music. Though his career began more than four decades ago with American blues, he has broadened his artistic scope over the years to include music representing virtually every corner of the world – west Africa, the Caribbean, Latin America, Europe, the Hawaiian islands and so much more. What ties it all together is his insatiable interest in musical discovery. Over the years, his passion and curiosity have led him around the world, and the resulting global perspective is reflected in his music.

Born Henry St. Claire Fredericks in Harlem on May 17, 1942, Taj grew up in Springfield, Massachusetts. His father was a jazz pianist, composer and arranger of Caribbean descent, and his mother was a gospel singing schoolteacher from South Carolina. Both parents encouraged their children to take pride in their diverse ethnic and cultural roots. His father had an extensive record collection and a shortwave radio that brought sounds from near and far into the home. His parents also started him on classical piano lessons, but after only two weeks, young Henry already had other plans about what and how he wanted to play.

In addition to piano, the young musician learned to play the clarinet, trombone and harmonica, and he loved to sing. He discovered his stepfather’s guitar and became serious about it in his early teens when a guitarist from North Carolina moved in next door and taught him the various styles of Muddy Waters, Lightnin’ Hopkins, John Lee Hooker and Jimmy Reed and other titans of Delta and Chicago blues.

Springfield in the 1950s was full of recent arrivals, not just from around the U.S. but from all over the globe. “We spoke several dialects in my house – Southern, Caribbean, African – and we heard dialects from eastern and western Europe,” Taj recalls. In addition, musicians from the Caribbean, Africa and all over the U.S. frequently visited the Fredericks home, and Taj became even more fascinated with roots – the origins of all the different forms of music he was hearing, what path they took to reach their current form, and how they influenced each other along the way. He threw himself into the study of older forms of African-American music – a music that the record companies of the day largely ignored.

Henry studied agriculture at the University of Massachusetts at Amherst in the early 1960s. Inspired by a dream, he adopted the musical alias of Taj Mahal and formed the popular U. Mass party band, the Elektras. After graduating, he headed west in 1964 to Los Angeles, where he formed the Rising Sons, a six-piece outfit that included guitarist Ry Cooder. The band opened for numerous high-profile touring artists of the ’60s, including Otis Redding, the Temptations and Martha and the Vandellas. Around this same time, Taj also mingled with various blues legends, including Howlin’ Wolf, Muddy Waters, Junior Wells, Buddy Guy, Lightnin’ Hopkins and Sleepy John Estes.

This diversity of musical experience served as the bedrock for Taj’s first three recordings: Taj Mahal (1967), The Natch’l Blues (1968) and Giant Step (1969). Drawing on all the sounds and styles he’d absorbed as a child and a young adult, these early albums showed signs of the musical exploration that would be Taj’s hallmark over the years to come.

In the 1970s, Taj carved out a unique musical niche with a string of adventurous recordings, including Happy To be Just Like I Am (1971), Recycling the Blues and Other Related Stuff (1972), the GRAMMY®-nominated soundtrack to the movie Sounder (1973), Mo’ Roots (1974), Music Fuh Ya (Music Para Tu) (1977) and Evolution (The Most Recent) (1978).

Taj’s recorded output slowed somewhat during the 1980s as he toured relentlessly and immersed himself in the music and culture of his new home in Hawaii. Still, that decade saw the well-received release of Taj in 1987, as well as the first three of his celebrated children’s albums on the Music For Little People label.

He returned to a full recording and touring schedule in the 1990s, including such projects as the musical scores for the Langston Hughes/Zora Neale Hurston play Mule Bone (1991) and the movie Zebrahead (1992). Later in the decade, Dancing the Blues (1993), Phantom Blues (1996), An Evening of Acoustic Music (1996) and the GRAMMY®-winning Señor Blues (1997) were all commercial and critical successes.

At the same time, Taj continued to explore world music, beginning with the aptly titled World Music in 1993. He joined Indian classical musicians on Mumtaz Mahal in 1995, and recorded Sacred Island, a blend of Hawaiian music and blues, with the Hula Blues in 1998. Kulanjan, released in 1999, was a collaborative project with Malian kora player Toumani Diabate (the kora is a 21-string west African harp).

In 2000, Taj released a second GRAMMY®-winning album, Shoutin’ in Key, and recorded a second album with the Hula Blues, Hanapepe Dream, in 2003.

Taj joins the Heads Up International label in the fall of 2008 with the worldwide release of Maestro: Celebrating 40 Years. As the title suggests, this twelve-track set marks the fortieth anniversary of Taj’s rich and varied recording career by mixing original material, chestnuts borrowed from classic sources, and songs written by a cadre of highly talented guest artists. This anniversary gala includes performances by Ben Harper, Jack Johnson, Ziggy Marley, Angelique Kidjo, Los Lobos and others – many of whom have been directly influenced by Taj’s music and guidance.

“The one thing I’ve always demanded of the records I’ve made is that they be danceable,” he says. “This record is danceable, it’s listenable, it has lots of different rhythms, it’s accessible, it’s all right in front of you. It’s a lot of fun, and it represents where I am at this particular moment in my life. This record is just the beginning of another chapter, one that’s going to be open to more music and more ideas. Even at the end of forty years, in many ways my music is just getting started.”

Using the latest high definition Surround Video cameras which allowed footage to be captured in full 360°, director Lawrence Page explains how it was done:

“To capture the first half of the ‘Shake’, we shot Under the Bridge’s circular, stylish club space before the doors opened for the night. Then, come 2am, the camera returned to the middle of the dance floor, Stanton Warriors were headlining and fancy dress was in full effect. A shout from the MC to let everyone know we were rolling and the crowd went wild!”.

Ritual is a brand new monthly night from the team behind Tempo Tantrum and The Music League championing the best in electronic music. Bringing forward-thinking lineups to an area of London which has historically only catered for a mainstream crowd, Ritual is set to be a rite of passage for any electronic music enthusiast, showcasing the best sounds across the electronic spectrum including house, techno, electro, breaks, funky, disco and bass.

“If they carry on with line-ups like this, west London may have a new institution on its hands” Evening Standard
“Bringing some Kingsland Road flavour to the Kings Road area” Time Out

The 360° Harlem Shake was created using the latest Surround Video technology from yellowBird, a London company who specialise in End-to-End 360º production.

KING CHARLES

30 Shows in 30 Days – End Of Tour Party

The secret location of King Charles’ final show on his month long 30 back to back gig tour has been announced. Join him for a celebration of an amazingly successful tour at London’s Under the Bridge on April 30^th. If the other 29 shows are anything to go by, it’s going to be one hell of a night and you’ll kick yourself for missing the big finalé.

Tickets available on door first come first serve, just £5 entry

For photo booth pictures please click here

RITUAL LINEUP 09/03/13
Stanton Warriors
Felix (Hot Chip)
Herve
Tempo Tantrum
Concrete Disco

 
Ritual London is a brand new monthly night from the team behind Tempo Tantrum and The Music League championing the best in electronic music, taking place at stylish and recently launched west London music venue Under the Bridge. Bringing forward-thinking line-ups to an area of London which has historically only catered for a mainstream crowd, Ritual is set to be a rite of passage for any electronic music enthusiast, showcasing the best sounds across the electronic spectrum including house, techno, electro, breaks, funky, disco and bass.

” The combination of the band’s inspired playing and Drumbo’s profound wail transported the collective consciousness in the room back to a time when art, music and mime combined to create the Beefheart mystique.”
- Get Readey to Rock

” The intimacy of Under the Bridge allowed the group to become a lot looser, switching instruments and conversing with the crowd…”
- The Upcoming
 

Pics from Ritual’s successful launch Under the Bridge. Lineup: Greg Wilson, Maxxi Soundsystem, Horse Meat Disco, DJ SHARK BAIT & YOGHURT WARRIOR, and Concrete Disco.

 
VIDEO HIGHLIGHTS FROM RITUAL LAST MONTH